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“Sweetheart”, shown with its creator, Clayton Bailey; the busty female robot (also a functional coffee maker) that created a controversy when it was displayed at the Lawrence Hall of Science at University of California, Berkeley Female robots as sexual devices have also appeared, with early constructions being crude.
Researchers have noted the connection between the design of feminine robots and roboticists' assumptions about gendered appearance and labor.
In the film The Perfect Women, the titular robot, Olga, is described as having "no sex", but Steve Chibnall writes in his essay "Alien Women" in British Science Fiction Cinema that it is clear from her fetishistic underwear that she is produced as a toy for men, with an "implicit fantasy of a fully compliant sex machine".
In the film Westworld, female robots actually engaged in intercourse with human men as part of the make-believe vacation world human customers paid to attend. Sexual interest in gynoids and fembots has been attributed to fetishisation of technology, and compared to sadomasochism in that it reorganizes the social risk of sex.
Fiction about gynoids or female cyborgs reinforce essentialist ideas of femininity, according to Margret Grebowicz.
Such essentialist ideas may present as sexual or gender stereotypes.
The stereotypical role of wifedom has also been explored through use of gynoids.
In The Stepford Wives, husbands are shown as desiring to restrict the independence of their wives, and obedient and stereotypical spouses are preferred.
In a parody of the fembots from The Bionic Woman, attractive, blonde fembots in alluring baby-doll nightgowns were used as a lure for the fictional agent Austin Powers in the movie Austin Powers: International Man of Mystery.
The film's sequels had cameo appearances of characters revealed as fembots.
In science fiction, female-appearing robots are often produced for use as domestic servants and sexual slaves, as seen in the film Westworld, Paul J.
Mc Auley's novel Fairyland (1995), and Lester del Rey's short story "Helen O'Loy" (1938), Examples include Hephaestus in the Iliad who created female servants of metal, and Ilmarinen in the Kalevala who created an artificial wife.
The robot's creator, Clayton Bailey, a professor of art at California State University, Hayward called this "censorship" and "next to book burning." Artificial women have been a common trope in fiction and mythology since the writings of the ancient Greeks.