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" This painting may be a replica of Gossart’s lost original portrait of Anna van Bergen, the wife of Adolf of Burgundy, marquis de Veere, and their son, Hendrik, in the guise of the Virgin and Child. "Jean Gossaert dit Mabuse," May 15–June 27, 1965, no.
"Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance," October 6, 2010–January 17, 2011, no.
Although the original composition is presumed lost, this picture is one among a dozen or so replicas. Another version, not listed by Friedlander, was sold at Sotheby's Monaco, June 20–21, 1987, no. Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance "Intentional Alterations of Early Netherlandish Paintings": Metropolitan Museum Journal, v.
According to Van Mander (1604), while Gossart was working for the marquis de Veere he painted a portrait of his wife Anna van Bergen and their infant son as the Virgin and Child. 349) lists eleven versions of the composition, including the MMA work.
"Discovering the Renaissance: Pierpont Morgan's Shift to Collecting Italian Old Masters." A Market for Merchant Princes: Collecting Italian Renaissance Paintings in America.
A portrait of Anna van Bergen is in the Recueil d'Arras (Bibliothèque Municipale, Arras); a likeness of her by Gossart is in a private collection—two versions of it exist, one in the Sterling and Francine Clark Art Institute, Williamstown, Mass., and one in the Isabella Stewart Gardner Museum, Boston. 40 (2005) From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art European Paintings in The Metropolitan Museum of Art by Artists Born before 1865: A Summary Catalogue "Early Flemish Portraits: 1425–1525": The Metropolitan Museum of Art Bulletin, v.
86–87, observes that one of the best examples of the portrait is in the Weber collection in Hamburg and reproduces the Brussels version. [F.] Winkler Allgemeines Lexikon der bildenden Künstler.
Von Eyck bis Bruegel: Studien zur Geschichte der Niederländischen Malerei. 132–33, mentions the version formerly in the Kann collection [the MMA picture] as one of the good replicas, close in handling to Gossart's work.
Ainsworth Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance.
Peter Klein Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance.
1981, calls it one of the earliest and best of the surviving copies; observes that it is probably Henry, the youngest son of the Lord and Lady Veere, who is represented as the Christ Child. "Early Flemish Portraits, 1425–1525." Metropolitan Museum of Art Bulletin 43 (Spring 1986), pp.
Liedtke From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art.
"From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art," September 22, 1998–February 21, 1999, no.